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I've been thinking about what it means to build an antenna as an object.

The starting point was a dreamcatcher — something traditionally made to catch dreams — and I started translating that idea into copper, wire, a dish, and an L-band receiver.

The technical rabbit hole led me to The Bald Geek's L-band ground-station work, which became a reference point for figuring out the feed, helix, reflector, and fabrication.  Then I stumbled into the world of Outernet / Othernet and started thinking about the antenna less as a radio instrument and more as a kind of portal: a physical object pointed at the sky, waiting for information to arrive.

I'm still learning exactly what I want to do with that part of it, which is probably what interests me most. A dreamcatcher normally catches dreams. A Satellite catches signals.

Copper, satellites, radio waves, data, dreams — I'm still figuring out where the boundaries between those things are.

Slow-scan television (SSTV) is a picture transmission method used mainly by amateur radio operators to send and receive static photos or images via radio waves. Instead of live moving video, SSTV converts an image into audio tones that sound like a fax machine or dial-up modem, taking 30 to 120 seconds to draw a single picture line-by-line.

In the age of networks, communication appears seamless, immaterial. Yet beneath the surface lies a fragile infrastructure of wires, optics, satellites, and code. I wanted to build an installation that interrupts that invisibility. Radio transmissions, standing waves, geological artifacts, tangled cords, and a laser-to-solar-panel circuit exposes the translation of sound into light and back again through a tactile, precarious process.

This research introduces a method of visualizing sound waves in air using Schlieren imaging—a technology that captures subtle changes in air density caused by acoustic vibrations. Re-imaging space weather data through a cloud of "smoke"

This project operates within the delicate balance of perception, motion, and unseen forces, creating a space where sound, gravity, and liquid dynamics interact in real-time. The integration of a radio antenna as a structural and conceptual element ties the work to a broader dialogue about signal, transmission, and cosmic reception, merging with its environment, it amplifies existing signals, revealing the hidden rhythms of space

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